André Dao’s debut novel (Penguin Random House) has just won the 2024 Prime Minister’s Literary Award for Fiction, worth A$80,000. This follows its shortlisting for this year’s Miles Franklin Award.
Born in Australia to Vietnamese refugee parents, Dao, who works as a writer, editor and artist in Melbourne, is a deserving winner.
The six winners of this year’s awards share an interest in identity and culture, form and innovation – and resilience and resistance. Together, they illuminate the complexities of the Australian experience.
Anam blurs the boundaries between fact and fiction. As explained in her review for The Conversation, it started life “as an inquiry into his paternal grandfather’s ten-year detention without trial by the Vietnamese government in 1978, three years after the war ended”.
Source: The Conversation
The how Dao “extends the novel form, breaking rules, forming new ones, and demonstrating how the ‘imaginative power of a novel’ is perfect for witnessing uncomfortable truths”.
Anam is a compelling exploration of, as it tells us in its opening pages, “what we inherit from our ancestors and what we pass on to our children – what we give them, even as we wash away the blood and mud with which they arrived”. A formally adventurous exploration of family history, memory and belonging that experiments with literary form, it ranges across Vietnam, France, Australia and England.
Understanding ‘The Lucky Country’
The Australian History Prize was awarded to an equally expansive, albeit very different sort of book. Ryan Cropp’s (La Trobe University Press) is a meticulously researched, richly detailed biographical account of one of Australia’s most notable cultural commentators. It is both a social history and an intellectual journey.
Source: The Conversation
As noted in The Conversation, Cropp’s eminently readable book, which draws extensively on the archives, puts Horne “in his context and, without a heavy hand, helps us understand his motivating psychology”.
But there is much more to it. One of the book’s great strengths, according to the judges, is its demonstration of how Horne’s life “speaks to the complexities at play in Australia’s post-World War II history”.
An important First Nations storyteller
The Non-Fiction Prize was awarded to Bundjalung and Kullilli journalist and ABC broadcaster Daniel Browning for his (Magabala Books).
Like Dao’s novel, Browning’s collection, which covers his career since 2007, displays a keen interest in form and innovation. Browning acknowledges this in his introduction:
Implicit in these pages is an invitation: to weigh in to the diverse textures, subtexts and genres that make up my work. Criticise it, question its assumptions and by all means, disagree – but engage with it.
Source: The Conversation
He is deeply interested in inclusive collaborative practices and in producing content capable of representing, in his own words, “not simply the who, what, and why – but the cultural context in which these dialogues take place”.
Collaborative storytelling in action
Something similar can also be said of the 2024 Children’s Literature Prize winner. (Hardie Grant Explore) is a prime example of inclusive collaboration and storytelling in action.
Source: The Conversation
It was rightly praised by judges for its engaging combination of art, photography and scientific facts, and for its “message of interconnectedness and harmony with Country”.
Desire and emotion
Last year, Will Kostakis his response to a Catholic school that had asked him to “skip over the same sex components” on a 2024 Book Week visit. He had just published (Allen & Unwin). Today, it has won the Young Adult Literature Prize. The judges commend its “authenticity and insight”.
Source: The Conversation
Finally, the 2024 Poetry Prize was awarded to classicist Amy Crutchfield, who like Kostakis, is profoundly interested in desire and emotion. Divided into five sections, her debut collection, (Giramondo), reimagines the figure of Aphrodite – the Greek goddess of beauty, love, and passion – for our contemporary moment.
Source: The Conversation
The poems in The Cyprian wear their learning lightly. Intimate, honest and lyrical, they move inexorably “towards love’s borders, lawless places, and across those borders, to situations where love fails us, or we fail love”. Crutchfield, like many of the 2024 winners, does interesting things with literary form.
Alexander Howard does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
Alexander Howard, Senior Lecturer, Discipline of English and Writing, University of Sydney